One of my favorite pieces of art this century. And have seen it several times since its American debut at Luhring Augustine Gallery in New York in 2013. I just saw it again at the ICA in Boston and I too see it’s increased relevance in our COVID reality. In fact, I’ve started my own essay about just that.

Glad to know it’s in the High collection. And please say hello to Michael Rooks from me, Bradley Wester, next to you see him!

Best.